Historical
documents attest that Leonardo da Vinci created many sculptures, but
few works existing today can be verified to be the results of his
skilled hands. However, in Pescia, a city of 20,000 inhabitants (and
only 10 minutes from Montecarlo and Montecatini), rests a verified
sculpture of da Vinci, one that can be seen almost any day of the
week, at no cost and with no lines. The statue, however, is by
Pierino da Vinci, not his uncle Leonardo.
I
came across this interesting information while researching another
nearby statue that key art historians believe to created by Leonardo.
They have to base their beliefs on stylistic comparisons with
Leonardo’s known works, because no documents have been found to
prove his authorship. But that’s not the case with the work by
Pierino da Vinci.
The
sculpture is part of the mausoleum of
Baldassarre Turini. It is located in the cattedrale
di Maria Santissima Assunta in Pescia’s
Piazza Duomo.
Ample documentary evidence exists to attribute this sculpture to Pierino da Vinci, the nephew of Leonardo da Vinci. |
“Very
few people are aware of this,” said Emanuele Pellegrini,
director of the Journal of Visual Arts (www.predella.it) and
associate professor of art history at the IMT Institute for Advanced
Studies in Lucca. “But it is proven to be work of Pierino da Vinci.
We have the payment documents to show this, but if you search on the
Internet, you’ll see that you will find very little about this
sculpture.”
Pierino, the
grandson of Leonardo’s father, ser Piero da Vinci, was well
on the path to fame as an artist, but he died of malaria in 1553 at age 23.
Pierino, born Pier Francesco di Bartolomeo, received a payment for
all of the sculptures on the tomb, but he died after he completed the
first one, which is on the left side. A statue similar to Pierino’s but on the right side of the
mausoleum may have been started by Pierino, but it was probably finished by one of his friends, Silvio Cosini, Professor Pellegrini said. Raffaello di Baccio Sinibaldi da Montelupo probably did the reclining figure of Turini in the center.
While
he finds it unfortunate that the da Vinci sculpture has received little
attention, Professor Pellegrini doesn’t find it particularly
surprising. “It’s quite common in Italian provinces to find many
masterpieces which are relatively unknown,” he explained.
He
pointed out that a crucifix on display in a chapel in Padova went
largely unnoticed for 500 years before someone realized that the
author was Donatello.
“Sometimes
you have masterpieces right before your very eyes, but you don’t
see them because you don’t pay attention, or
someone finds some documents that show who the artist was,” he
said.
The
duomo which holds Pierino’s sculpture has its origins in the fifth
or sixth century and has been rebuilt several times. It was
consecrated in 1062 by Pope Alexander II, who, according to
tradition, was the parish priest of Pescia before becoming bishop of
Lucca. The church was entirely rebuilt after a fire in the city in
1281.
This well done copy of Raphael Sanzio's famous work hangs in the duomo of Pescia, near Turini's tomb. |
At one time, the church also held a 1507 masterpiece by the illustrious Raphael Sanzio di Urbino. However, the Madonna of the Baldachin was sold to Turini, who removed it to his private chapel. In 1697, a high quality copy was painted by Pier Dandini, and it was placed near Turini’s tomb in the Pescia duomo.
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